muscolaria – VAMPATE IN MENOPAUSA
vampate in menopausa by bard(o)iccio
daniela fantechi – pianoforte
michele lanzini – violoncello
marcovaldo braccobaldini – cornetta intrombita
edoardo ricci – sopraninalto saxofoni, trombone pedemontano
vampate in menopausa by bard(o)iccio
daniela fantechi – pianoforte
michele lanzini – violoncello
marcovaldo braccobaldini – cornetta intrombita
edoardo ricci – sopraninalto saxofoni, trombone pedemontano

Check Edoardo Ricci‘s soundcloud page.
There’s some new idiosyncratic tracks on line.
Have a nice chew.
Latest tracks by bard(o)iccio
It starts with this one a series of weekly posts linking to some great music found on the seven corners of the internet and carefully selected by the Sistemi Audiofobici Burp staff. DJ Baba Giovanni Bauli selects one album for each day of your next week, a trip through avant afro imagination, granclassic improv, prog soul music and traditional iconoclasm. Enjoy the love of the bloggers.
Metti a fuoco le orecchie.
Fun Boy Three is the debut album by Fun Boy Three, a band consisting of three ex-members of the UK ska band The Specials: Terry Hall, Neville Staple and Lynval Golding. It was released in 1982 and was re-released in 1999 as Fame. Several songs on the album feature backing vocals by the female pop trio Bananarama
Chrysalis 1982 UK
Discogs
Lunatics video
avant skinhead pop capolavoro
Francis Bebey uses traditional African instruments and modern electronics to create a picture of the Pan-African musical experience.
Bebey released his first album in 1969. His music was primarily guitar-based, although he integrated traditional African instruments as well. His style was groundbreaking, merging Cameroonian makossa with classical guitar, jazz, and pop in a mix that could be intellectual, humorous, or serious.
In this 1985 release, composer/guitarist/singer/author Bebey used finger-piano, African flute, percussion and electric bass to draw on the whole range of African music today: traditional vocal styles (including an extraordinary “double-voice” technique), Ghanaian flute, soukous basslines. The Boston Herald called Akwaaba “one of the most amazing and beautiful records I have ever heard.”
Original Music 1985 US
Discogs
site
pare ci sia un universo
Country Teasers is a Scottish art punk band formed in 1993 and led by singer/guitarist / frontman and songwriter Ben Wallers.
Early Country Teasers albums were characterised by illiterate, scathingly satirical lyrics and discordant, repetitive sound through a setlist of art-damaged country and western songs.
The Pastoral – Not Rustic – World of Their Greatest Hits is the 1995 debut album by Country Teasers. The compact disc release adds “Anytime, Cowboy” and “No.1 Man” from the Crypt single, which was recorded in Edinburgh, Scotland in 1993.
Crypt 1995 US
Discogs
Crypt Records
il primo dei marcioni
Excellent out of print compilation of hard to find Hi label soul.
Featuring Norm West, George Jackson, James Fry, O.V. Wright, Lyndon, Jimmy Mack, Willie Walker, Rufus Thomas
Hi 1995 US
ebay
Hi Records
brodo di giuggiole

Malcolm Cecil (born 9 January 1937, London) is a British jazz bassist and Grammy Award-winning record producer. A founding member of the UK’s leading jazz quintet of the late 1950s, The Jazz Couriers, he went on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 50s and early 60s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated. He later joined Robert Margouleff to form the duo TONTO’s Expanding Head Band, a project based around a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder’s Grammy-winning albums of the early 70s.
Unity Records 1981 US
Discogs
Tonto Studio
il re della zuppa

The Spontaneous Music Ensemble (SME) was a loose collection of free improvising musicians convened beginning in the mid-1960s by the late South London-based jazz drummer/trumpeter John Stevens and alto and soprano saxophonist Trevor Watts. SME performances and recordings could range from Stevens-Watts duos to gatherings of more than a dozen players.
Karyobin is their second album and features John Stevens, Evan Parker, Kenny Wheeler, Derek Bailey, and Dave Holland.
Island Records 1968 Chronoscope 1993 UK
Discogs
John Stevens
Trevor Watts
giovinotte belgioiose

Describing himself as “the last great Southern black minstrel show”, Abner Jay was a travelling one-man band and revenant folk spirit who performed lugubrious versions of original blues, traditional American spirituals alongside his own material. Originally released on Abner’s own label Brandie Records 197* US
Discogs
Subliminal Sounds
c’è della gioia in sto disastro

saturday may 21st
Le Petit Mignon (Staalplaat store)
Flughafenstr. 38
Neukölln, Germany
Exhibition duration: 21 May – 16 June 2011
Opening + 2 concerts + djs on Saturday, May 21st 2011 7pm/19:00
…
About the exhibition:
Wet Cartoons is a retrospective show celebrating 5 years of Drippy Bone Books zine and comics publishing. Started in 2007 by artists Kristy Foom and Mario Zoots as a way to catalog the underground art scene happening in Denver, Colorado and other cities in the US, over the years it’s become a strong platform for collaborating with artists involved in underground comics, illustration, video, music, and design. Keenan Marshall Keller, a comic artist based in Los Angeles, joined Foom and Zoots in 2008. Each artist prints and pays for the publications they release under the hood name Drippy Bone Books. All editions are small run varying from 10 – 100 copies. Living in different cities, publications are now released from Los Angeles, Denver and Amsterdam. The name Drippy Bone Books was inspired by the comic Oops Goops (2006) drawn by David Magdelano and Brian Bamps of Los Angeles.
Wet Cartoons refers to the looseness of the Drippy Bone Books publishing project, and how it’s a liquid mirror on some contemporary underground communities. The show will feature books from the Drippy Bone Books archive and video art and prints from Kristy Foom, Mario Zoots and Keenan Marshall Keller. Publications still available will be for sale.
Wildsmile studios is a Dresden-based network project, which operates a fine manual screenprint and promotes a variety of projects such as the International Sticker Awards or the art space C. Rockefeller Center for the Contemporary Arts.
In the last 5 years the posters and propaganda for the events of the in-house sound system R.I.Z.L.A and other diverse and manifold artistic on-and-off productions are designed screen-printed there. Because the archive is currently being renovated, it was decided to outsource the posters and prints, without further ado, to the rooms of Berlins Le Petit Mignon (Staalpaat store). The move of the collection is accompanied by caribbean folklore music.
Links:
Drippy Bone Books: www.drippybonebooks.com
Wildsmile Studios: www.wildsmile.de
About the concerts (on May 21st, 8:30pm/20:30):
-The Preterite (USA)
Mp3s: www.soundcloud.com/the-preterite/sets/the-preterite-s-t
-Jealousy Party (Italy/Berlin)
Myspace: www.myspace.com/thejealousyparty
STAALPLAAT / LE PETIT MIGNON
Flughafenstr. 38
12053 Berlin Neukölln
www.staalplaat.com
www.lepetitmignon.com (New website)
AUSREIHE presents
Electronic Music Concert 05 – Turntable and Its Creation
Date: Saturday 30th April, 2011
Time: 21:00 Open, 22:00 Starts
Fee: €6
Venue: Naher Osten, Alt-Stralau 69, 10245 Berlin, Germany
Lineup:
DJ Sniff
Jan Zimmermann
Semerssuaq [WJ Meatball + JD Zazie]
Martin Lorenz
Vinyl-Terror & -Horror
for more details click here
AUSREIHE is an independent organization dedicated to experimental electronic/computer music, founded in Berlin, Germany 2009.