{"id":7110,"date":"2011-07-21T01:46:47","date_gmt":"2011-07-21T00:46:47","guid":{"rendered":"http:\/\/www.burpenterprise.com\/burp\/?p=7110"},"modified":"2011-07-21T03:29:27","modified_gmt":"2011-07-21T02:29:27","slug":"meraviglie-dappertutto-1","status":"publish","type":"post","link":"https:\/\/www.burpenterprise.com\/burp\/2011\/07\/21\/meraviglie-dappertutto-1\/","title":{"rendered":"MERAVIGLIE DAPPERTUTTO #1"},"content":{"rendered":"

It starts with this one a series of weekly posts linking to some great music found on the seven corners of the internet and carefully selected by the Sistemi Audiofobici Burp<\/a><\/strong> staff.\u00a0DJ Baba Giovanni Bauli<\/strong> selects one album for each day of your next week, a trip through avant\u00a0afro imagination, granclassic improv, prog soul music and traditional iconoclasm. Enjoy the love of the bloggers.
\nMetti a fuoco le orecchie<\/strong>.<\/p>\n

\"\"<\/a><\/p>\n

FUN BOY THREE \/ st<\/strong><\/h3>\n

from\u00a0Big Head Stevenson<\/a><\/strong><\/span><\/h3>\n

Fun Boy Three<\/a><\/strong> is the debut album by Fun Boy Three, a band consisting of three ex-members of the UK ska band The Specials: Terry Hall, Neville Staple and Lynval Golding. It was released in 1982 and was re-released in 1999 as Fame. Several songs on the album feature backing vocals by the female pop trio Bananarama
\nChrysalis 1982 UK<\/strong><\/p>\n

Discogs<\/a>
\nLunatics\u00a0video <\/a>
\navant skinhead pop capolavoro<\/strong><\/p>\n

\"\"<\/a><\/p>\n

FRANCIS BEBEY \/ Akwaaba<\/strong><\/h3>\n

from\u00a0 Holy Warbles<\/a><\/strong><\/span><\/h3>\n

Francis Bebey<\/a><\/strong> uses traditional African instruments and modern electronics to create a picture of the Pan-African musical experience.
\nBebey released his first album in 1969. His music was primarily guitar-based, although he integrated traditional African instruments as well. His style was groundbreaking, merging Cameroonian makossa with classical guitar, jazz, and pop in a mix that could be intellectual, humorous, or serious.
\nIn this 1985 release, composer\/guitarist\/singer\/author Bebey used finger-piano, African flute, percussion and electric bass to draw on the whole range of African music today: traditional vocal styles (including an extraordinary “double-voice” technique), Ghanaian flute, soukous basslines. The Boston Herald called Akwaaba “one of the most amazing and beautiful records I have ever heard.”
\nOriginal Music \u00a01985 US <\/strong><\/p>\n

Discogs
\n<\/a>site
\n<\/a>pare ci sia un universo<\/strong><\/p>\n

\"\"<\/a><\/p>\n

COUNTRY TEASERS \/ The Pastoral – Not Rustic – World of Their Greatest Hits<\/strong><\/h3>\n

from\u00a0 Youngmosstongue<\/a><\/strong><\/span><\/h3>\n

Country Teasers<\/a><\/strong> is a Scottish\u00a0art punk band formed in 1993 and led by singer\/guitarist \/\u00a0frontman and songwriter\u00a0Ben Wallers<\/a><\/strong>.
\nEarly Country Teasers albums were characterised by illiterate, scathingly satirical lyrics and discordant, repetitive sound\u00a0through a setlist of art-damaged country and western songs.
\nThe Pastoral – Not Rustic – World of Their Greatest Hits<\/strong><\/em> is the 1995 debut album by\u00a0Country Teasers<\/a>. The compact disc release adds “Anytime, Cowboy” and “No.1 Man” from the\u00a0Crypt<\/a> single, which was recorded in\u00a0Edinburgh<\/a>,\u00a0Scotland<\/a> in 1993.
\nCrypt 1995 US<\/strong><\/p>\n

Discogs
\n<\/a>Crypt Records
\n<\/a>i<\/a>l primo dei marcioni<\/strong><\/p>\n

\"\"<\/a><\/p>\n

AAVV \/ Memphis Soul Greats<\/strong><\/h3>\n

from\u00a0 Twilightzone<\/a><\/strong><\/span><\/h3>\n

Excellent out of print compilation of hard to find Hi label soul.
\nFeaturing Norm West, George Jackson, James Fry, O.V. Wright, Lyndon, Jimmy Mack, Willie Walker, Rufus Thomas<\/p>\n

Hi 1995 US<\/strong>
\n
\nebay
\n<\/a>Hi Records
\n<\/a> brodo di giuggiole<\/a><\/strong><\/p>\n

\"\"<\/p>\n

MALCOLM CECIL \/ <\/strong>Radiance<\/strong><\/h3>\n

from\u00a0Allegory of Allergies<\/a><\/strong><\/span><\/h3>\n

Malcolm Cecil<\/a><\/strong> (born 9 January 1937, London) is a British jazz bassist and Grammy Award-winning record producer. A founding member of the UK’s leading jazz quintet of the late 1950s, The Jazz Couriers, he went on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 50s and early 60s.\u00a0He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated.\u00a0He later joined Robert Margouleff to form the duo TONTO’s Expanding Head Band<\/a><\/strong>, a project based around a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder’s Grammy-winning albums of the early 70s.
\nUnity Records\u00a01981 \u00a0US<\/strong>
\nDiscogs<\/a>
\nTonto Studio<\/a>
\nil re della zuppa<\/strong><\/p>\n

\"\"<\/p>\n

SPONTANEOUS MUSIC ENSEMBLE Karyobin<\/strong><\/h3>\n

from\u00a0 Exp Etc<\/a><\/strong><\/span><\/h3>\n

The Spontaneous Music Ensemble (SME) was a loose collection of free improvising musicians convened beginning in the mid-1960s by the late South London-based jazz drummer\/trumpeter John Stevens<\/strong> and alto and soprano saxophonist Trevor Watts<\/strong>. SME performances and recordings could range from Stevens-Watts duos to gatherings of more than a dozen players.
\nKaryobin<\/a><\/strong> is their second album\u00a0and features John Stevens, Evan Parker, Kenny Wheeler, Derek Bailey, and Dave Holland.
\nIsland Records\u00a01968\u00a0\u00a0Chronoscope\u00a01993 UK
\n<\/strong>Discogs
\n<\/a>John Stevens
\n<\/a>Trevor Watts
\n<\/a>giovinotte belgioiose<\/strong><\/p>\n

\"\"<\/a><\/h3>\n

ABNER JAY \/ Swaunee Water and Cocaine Blues<\/strong><\/h3>\n

from Magicistragic<\/a><\/strong><\/span><\/h3>\n

Describing himself as “the last great Southern black minstrel show”, Abner Jay<\/strong> was a travelling one-man band and revenant folk spirit who performed lugubrious versions of original blues, traditional American spirituals alongside his own material.\u00a0Originally released on Abner’s own label\u00a0Brandie Records\u00a0197* \u00a0US<\/strong><\/p>\n

Discogs<\/a>
\nSubliminal Sounds<\/a>
\nc’\u00e8 della gioia in sto disastro<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

It starts with this one a series of weekly posts linking to some great music found on the seven corners of the internet and carefully selected by the Sistemi Audiofobici Burp staff.\u00a0DJ Baba Giovanni Bauli selects one album for each day of your next week, a trip through avant\u00a0afro imagination, granclassic improv, prog soul music […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,627,628,7,626,34],"tags":[629,1059],"_links":{"self":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/7110"}],"collection":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/comments?post=7110"}],"version-history":[{"count":191,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/7110\/revisions"}],"predecessor-version":[{"id":7301,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/7110\/revisions\/7301"}],"wp:attachment":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/media?parent=7110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/categories?post=7110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/tags?post=7110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}