{"id":4156,"date":"2010-10-27T10:45:20","date_gmt":"2010-10-27T09:45:20","guid":{"rendered":"http:\/\/www.burpenterprise.com\/burp\/?p=4156"},"modified":"2010-10-27T10:47:26","modified_gmt":"2010-10-27T09:47:26","slug":"quiet-cue-32-33","status":"publish","type":"post","link":"https:\/\/www.burpenterprise.com\/burp\/2010\/10\/27\/quiet-cue-32-33\/","title":{"rendered":"QUIET CUE #32 #33"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/quietcue.blogspot.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/1.bp.blogspot.com\/_b0tYwEk7eCo\/TMP1vhfRZHI\/AAAAAAAAAVY\/e_4lxaUMCfM\/s400\/qc_2010-11-04.png\" alt=\"\" width=\"400\" height=\"255\" \/><\/a><br \/>\n<a href=\"http:\/\/quietcue.blogspot.com\/\"><strong><\/strong><\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/quietcue.blogspot.com\/\"><strong>Quiet Cue<\/strong><\/a> is a working space and series of selected events, adapted to the Staalplaat record store in Berlin-Neukoelln.<\/p>\n<p style=\"text-align: left;\"><strong>quiet cue #032<\/strong><br \/>\nTHURSDAY NOVEMBER 4th &#8211; doors open 8PM<\/p>\n<p><a href=\"myspace.com\/aspecttt\"><strong>ASPEC(T)<\/strong><\/a> Naples\/Italy.<br \/>\nSEC_: analog synth, tapes, laptop.<br \/>\nMario Gabola: feedback sax, resonant drums.<\/p>\n<p>\u00bb[&#8230;] frenetic structures, noise explosions, ancestral cries,<br \/>\nan unceasing perversion of the soundscape and the time stream.\u00ab<\/p>\n<p>Aspec(t) are releasing their fourth work \u201cWaspnest\u201d<br \/>\non 12\u201d LP and on CD, a coproduction between italian labels<br \/>\n<a href=\"toxorecords.com\">Toxo Records<\/a>, <a href=\"http:\/\/vianderec.info\">Viande Records<\/a> and Fratto9 UnderTheSky.<\/p>\n<p><a href=\"http:\/\/www.shwobl.de\/\"><strong><br \/>\nOLAF HOCHHERZ<\/strong><\/a> Berlin\/Germany. electronics.<br \/>\n<a href=\"http:\/\/yanjun.org\"><strong>YAN JUN<\/strong><\/a> Beijing\/China. electronics.<\/p>\n<p>Olaf Hochherz works as improviser and composer of electroacoustic  music.<br \/>\nCurrently he studies at the SeaM in Weimar.<br \/>\nHe uses open source  software for his music.<\/p>\n<p>Yan Jun works with sound and language.<br \/>\nBorn in Lanzhou in 1973. Based in Beijing. B.A. of Chinese Literature.<br \/>\nInvolve to feedback noise, voice, field recording, site-specific sound<br \/>\ninstallation, impro music, writing, publishing and curating.<br \/>\nFounder of <a href=\"http:\/\/www.subjam.org\/\" target=\"_blank\">Sub Jam<\/a>, which runs weekly event Waterland<br \/>\nKwanyin (2005-2010) and annual festival Mini Midi (since 2005).<br \/>\nHad join musical projects as Tie Guan Yin (varied members).<br \/>\nPisces Iscariots (Yao Dajuin, Li Jianhong and Yan Jun).<br \/>\nNow member of FEN (Fareast Network, Otomo Yoshihide,<br \/>\nRyu Hankil, Yuen Cheewai and Yan Jun).<br \/>\nHe has published 5 essay collections about Chinese new music<br \/>\nand 3 poetry collections.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/quietcue.blogspot.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/4.bp.blogspot.com\/_b0tYwEk7eCo\/TMXpD35pvBI\/AAAAAAAAAVo\/BoHYodT-0dM\/s400\/qc_2010-11-06c2.png\" alt=\"\" width=\"400\" height=\"270\" \/><\/a><\/p>\n<p><strong>quiet cue #033<\/strong><br \/>\nSATURDAY NOVEMBER 6th &#8211; doors open 8PM<\/p>\n<p>Teatro sonoro:<br \/>\n<strong>BARBABLU <\/strong><br \/>\nvon und mit:<br \/>\n<a href=\"http:\/\/www.myspace.com\/lucavenitucci\">Luca Venitucci<\/a>: accordeon, objects<br \/>\n<a href=\"http:\/\/ezramo.com\">Ezramo<\/a>: voice, prepared zither, electronics<\/p>\n<p>Acoustic Duo:<br \/>\nLuca Venitucci (Rome)<br \/>\n<a href=\"http:\/\/renkel.org\">Michael Renkel<\/a> (Berlin)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quiet Cue is a working space and series of selected events, adapted to the Staalplaat record store in Berlin-Neukoelln. quiet cue #032 THURSDAY NOVEMBER 4th &#8211; doors open 8PM ASPEC(T) Naples\/Italy. SEC_: analog synth, tapes, laptop. Mario Gabola: feedback sax, resonant drums. \u00bb[&#8230;] frenetic structures, noise explosions, ancestral cries, an unceasing perversion of the soundscape [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[158,229],"tags":[],"_links":{"self":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/4156"}],"collection":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/comments?post=4156"}],"version-history":[{"count":6,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/4156\/revisions"}],"predecessor-version":[{"id":4162,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/4156\/revisions\/4162"}],"wp:attachment":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/media?parent=4156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/categories?post=4156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/tags?post=4156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}