{"id":13495,"date":"2013-06-25T20:11:24","date_gmt":"2013-06-25T19:11:24","guid":{"rendered":"http:\/\/www.burpenterprise.com\/burp\/?p=13495"},"modified":"2013-06-27T23:06:03","modified_gmt":"2013-06-27T22:06:03","slug":"quotaunquota-05","status":"publish","type":"post","link":"https:\/\/www.burpenterprise.com\/burp\/2013\/06\/25\/quotaunquota-05\/","title":{"rendered":"QUOTA;UNQUOTA.05"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.auditionrecords.com\/images\/quota\/quota800.jpg\" alt=\"\" width=\"559\" height=\"125\" \/><\/p>\n<p>2012\/07\/12<br \/>\nQUOTA;UNQUOTA.05<br \/>\n<strong>WJM<br \/>\nANA\u00cfS TUERLINCKX<br \/>\nALEXANDRA C\u00c1RDENAS\u00a0<\/strong><br \/>\nK77 \/ Salon Bruit<br \/>\nBerlin &#8211; DE<\/p>\n<p><a href=\"http:\/\/www.auditionrecords.com\/quota.php\"><strong>QUOTA;UNQUOTA<\/strong><\/a><\/p>\n<p>A new monthly series for 2013 to be held at K77 curated by\u00a0<a href=\"http:\/\/salonbruit.org\/artists\/sciolist\" target=\"blank\">Philip Morris<\/a>\u00a0in collaboration with\u00a0<a href=\"http:\/\/www.salonbruit.org\/\" target=\"blank\">Salon Bruit<\/a>\u00a0&amp; <a href=\"http:\/\/www.auditionrecords.com\/\">Audition Records<\/a> as associated curators &amp; promoters | J\u00e9r\u00e9mie Pujau: video-documentation | Julian Bonequi: project manager<\/p>\n<p>This series are focused on exploring the input\/output of the homogametic sex. Artists performing solos from a wide range of conceptual backgrounds.<br \/>\nAlways the third friday!<\/p>\n<p><a href=\"http:\/\/salonbruit.org\/events\/quotaunquota-episode-5\">QUOTA;UNQUOTA.05 | 12.07.2013<\/a><br \/>\n<a href=\"https:\/\/www.burpenterprise.com\/burp\/articoli\/wj-meatball\/\"><br \/>\n<span style=\"font-size: x-small;\"><span style=\"line-height: 19px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.auditionrecords.com\/images\/quota\/RobertaWJM.jpg\" alt=\"\" width=\"400\" height=\"296\" \/><\/span><\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.burpenterprise.com\/burp\/articoli\/wj-meatball\/\">ROBERTA WJM<\/a><br \/>\nis a percussionist,\u00a0 an experimental producer and DJ, and on air personality. She has more than twenty year of experience organizing and promoting alternative music events. She practices plagiarism and the cutting and mixing of musical and ambiental aural sources. Early in her career she started focusing on the use of voices and on vocal metalinguism, focalizing on her personal practice of \u201ccuttingandslicing\u201d and on rhythm patterns obtained through an improper use of her tools of the trade (cdjs, cd player, md, me mixer). Through the years her percussion set morphed into a hybrid encompassing a dj booth, a radio dj one, a microphone station for electroacustic experiments, and a mnemonic butcher\u2019s slab. She is a founding member of performing music units such as Jealousy Party, Semerssuaq, The Secretaries and Sistemi Audiofobici Burp. She is the director of the music label Burp Publications.<a href=\"https:\/\/www.burpenterprise.com\/burp\/articoli\/wj-meatball\/\"><br \/>\n<\/a><\/p>\n<p><a href=\"http:\/\/soundcloud.com\/mrs-ana-s\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.auditionrecords.com\/images\/ram\/AnaisTuerlinckx.jpg\" alt=\"\" width=\"400\" height=\"296\" \/>ANA\u00cfS TUERLINCKX<\/a><br \/>\n&#8220;I believe in Noise as a richer musical source than tones. I want to reveal the physicality of the piano as a dirty monster. I expect the audience to shiver with me thanks to the vibes from inside the piano. Music as a channel for the exchange of fluids and energies in the most direct way possible. The piano is not an instrument but a partner that helps me express the unspeakable.<\/p>\n<p>I feel I want to get absorbed by and take the audience into the noise (as I feel when I listen to some concerts by others) and a wall of sound where you cannot really distinguish the sources of the sound, where everything is melting into an impossible cry, when you feel like many voices are screaming but there are no voices, when you come into trance and you begin to get sonic hallucinations, when your body shakes from the extreme loudness and power of the basses, when music is liberating destruction. Of course these words are strong and it is probably an utopia to get there but I want to believe in it and work harder to slowly move in this direction.&#8221;<\/p>\n<p>HEAR\u00a0<a href=\"http:\/\/www.auditionrecords.com\/ar080.php\" target=\"blank\">[ar080] ANA\u00cfS TUERLINCKX | The Broken Piano<\/a><\/p>\n<p><a href=\"http:\/\/cargocollective.com\/tiemposdelruido\" target=\"blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.auditionrecords.com\/images\/quota\/AlexandraCardenas.jpg\" alt=\"\" width=\"400\" height=\"296\" \/>ALEXANDRA C\u00c1RDENAS<\/a><br \/>\nBorn in Bogot\u00e1, Colombia in 1976. Studied Composition at Los Andes University. Her work has been played in several concert halls in Colombia, Venezuela, Mexico, United States, Europe, China and India and have also been played by many different soloists and chamber ensembles as Tambuco. Her work \u201cPal\u00edndromos\u201d got an honorific mention at the Third Latin-American Harp Encounter in Venezuela. In 2003 she was granted an Artistic Residence at the Multimedia Center in the National Center for the Arts, in Mexico City, where she lived since 2001.<\/p>\n<p>Resident artist at Tokyo Wonder Site in 2012. Since 2008 she works with SuperCollider, programming and improvising music. She is constantly creating projects at the Multimedia Center in Cenart Mexico, with the support of Robotics and Audio Workshops. Her work focuses on experimentation using live electronics, improvisation, creation of controllers and interfaces and livecoding. Currently studies at Universit\u00e4t der K\u00fcnste Berlin (UdK).<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/events\/132645400277339\/?notif_t=plan_user_invited\">FB event<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2012\/07\/12 QUOTA;UNQUOTA.05 WJM ANA\u00cfS TUERLINCKX ALEXANDRA C\u00c1RDENAS\u00a0 K77 \/ Salon Bruit Berlin &#8211; DE QUOTA;UNQUOTA A new monthly series for 2013 to be held at K77 curated by\u00a0Philip Morris\u00a0in collaboration with\u00a0Salon Bruit\u00a0&amp; Audition Records as associated curators &amp; promoters | J\u00e9r\u00e9mie Pujau: video-documentation | Julian Bonequi: project manager This series are focused on exploring the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[1035,877,393,946,1034,297,1064],"_links":{"self":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/13495"}],"collection":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/comments?post=13495"}],"version-history":[{"count":12,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/13495\/revisions"}],"predecessor-version":[{"id":13505,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/posts\/13495\/revisions\/13505"}],"wp:attachment":[{"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/media?parent=13495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/categories?post=13495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.burpenterprise.com\/burp\/wp-json\/wp\/v2\/tags?post=13495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}